“One of Those Who”: A Singular Dilemma
Like many copyeditors, I sometimes find myself enforcing rules I don’t fully agree with. For one thing, I wouldn’t want anyone who might know the applicable rule to think I’ve made a mistake.
“Whoever/Whomever” in Fiction:
Which Should Your Character Use?
Recently, a question that went something like this appeared in a Facebook group for writers seeking help from book editors: Help with this sentence please! “Some advice, for whoever/whomever is interested.”
Taming Messy URLs
From the perspective of writers and editors, URLs do their best work behind the scenes or just off the page, in a browser’s address bar. In that role—as an internet address that will take you to a specific page online—it doesn’t matter all that much what a URL looks like so long as it works.
Chicago Style Workout 56: Editing Lingo
This month’s quiz focuses on the specialized terms that editors and proofreaders and other publishing pros use to communicate with each other. Because authors are also involved in the publication process, they too may need to know what these expressions mean.
Epigraphs in Fiction
An epigraph is a brief quotation placed at the beginning of a book or at the head of a chapter, article, story, or other work. Most epigraphs are ornamental, helping to set the tone or mood of a work but going unmentioned in the text.
Navigating Spaces in Manuscripts and Beyond
To a copyeditor working on a manuscript, a space is usually just a space, and line breaks are random, fluid occurrences that vary as text is added and deleted and moved around. Designers and typesetters will take the edited text and make it pretty for publication, in part by applying different types of spaces as needed to prevent unwanted breaks.
Jack Hart Talks about Wordcraft
Jack Hart has spent five decades helping writers succeed, working shoulder-to-shoulder with journalists in newsrooms both big and small and with students at five universities. Writers who’ve worked with him have written national best sellers and won prizes that include five Pulitzers and a slew of other national awards.
Chicago Style Workout 55: US vs. UK
This month we’re doing something a little different. Instead of focusing exclusively on CMOS, this quiz highlights some of the differences between US style and UK style (commonly called British style). But we won’t be quizzing you on trunk versus boot or fries versus chips.
Very Long Sentences in Fiction
Recently, I was listening to the audiobook of James McBride’s Deacon King Kong, and at some point it struck me that we’d been in the middle of a sentence for quite a while. But it wasn’t just long—it was lyrical and purposeful. Pretty early on in the sentence, I began to realize it wasn’t primarily about an annual infestation of ants.
Prose, Interrupted: Signaling Breaks in Dialogue
Interruptions happen all the time in real life. People talk over each other and past each other; words collide and overlap. Sometimes an action or a thought rather than a person intrudes, causing a speaker to stop abruptly or, less dramatically, to trail off midsentence.
Chicago Style Workout 54: Adjectives
This month’s quiz focuses on adjectives, which are covered in CMOS paragraphs 5.68–96. Adjectives are words that describe things, like the word “favorite” in the heading above. To learn more about this descriptive part of speech, take the quiz.
