Paragraphing in Manuscripts for Submission

In manuscripts of yore (centuries ago), the text would appear in one huge unbroken block. At some point breaks in thought or theme came to be indicated in the line of text with marks of various kinds, which in late medieval times included a pilcrow (¶), essentially the same symbol your word processor hides at the end of a paragraph in your documents today.

Formatting Thoughts in Fiction

There are a few simple conventions for presenting thoughts in fiction, and these overlap with the conventions for setting off dialogue and other quoted speech or text—or anything that might normally take quotation marks.

Style and Grammar in Promotional Copy

Anyone familiar with the grammar and style rules and guidelines in CMOS knows they come with a lot of qualifiers: normally, in most cases, in running text, in regular prose, depending on the context—I could go on and on. In life, very few rules are meant to cover every situation. The same is true in CMOS.

Red shift key on an old-fashioned typewriter

Black and White: A Matter of Capitalization

In light of recent announcements elsewhere in publishing, many of our readers have been asking us whether we continue to recommend lowercase for terms such as black and white to refer to a person’s race or ethnicity, “unless a particular author or publisher prefers otherwise.”