Semicolons in Fiction
Anyone who learned to type on a QWERTY keyboard would be excused for thinking the semicolon is the most important mark of punctuation in English; why else would it be sitting right there on the home row?
Anyone who learned to type on a QWERTY keyboard would be excused for thinking the semicolon is the most important mark of punctuation in English; why else would it be sitting right there on the home row?
In 1929, when the song “Ain’t Misbehavin’ ” became a big hit, composers Thomas “Fats” Waller and Harry Brooks probably weren’t too worried about that final apostrophe.
To celebrate the end of another decade, we’ve put together eleven questions designed to test your knowledge of some random editorial facts.
Chicago style doesn’t require commas when “Jr.” or “Sr.” follows a name. Until just a few decades ago, however, commas were the norm.
One of the goals of Fiction+ has been to encourage writers and editors to leave the stylebook behind whenever it gets in the way of creative expression.
When it comes to punctuation, there’s a difference between formal prose and creative writing.
A few months ago in a conference session, a group of novelists digressed into good-natured complaints about being copyedited. One writer drew a lot of laughs saying, “I mean, I got A’s in English! I know where the freaking commas go!”
If you follow Chicago style, it’s a safe bet you know that a Chicago-style ellipsis consists of three spaced periods. You probably also know . . .
A comma is normally placed before a coordinating conjunction (and, but, or, so, yet) that joins two independent subject-verb clauses—that is, clauses that could stand on their own as complete sentences. . . .
It’s time for another editing and proofreading quiz! Once again, we test your knowledge of some of the finer points of Chicago style.