Peter B. Kaufman is Associate Director of Development at MIT Open Learning. He is the author of The New Enlightenment and the Fight to Free Knowledge (Seven Stories Press, 2021) and founder of Intelligent Television, a video production company that works with cultural and educational institutions around the world.
Anyone who’s familiar with contemporary English-language novels would have little trouble reading a novel published in the 1700s in an original edition. By the middle of that century, conventions related to printed text and punctuation were starting to look almost modern.
Chatbots are designed to analyze reams of text and then, based on that analysis, generate a sequence of words that would be statistically likely to correspond to a specific prompt. They can answer questions, write new copy, and revise or edit an existing text.
How well do you know the history of The Chicago Manual of Style, otherwise known as CMOS? This quiz is designed to give you a brief overview of the long history of the Manual (see question 2 for how long)—and of Chicago style.
In the writers’ groups where I hang out online, these queries are evergreen: How do I know if I need a copyeditor before I submit my work to an agent or editor? How do I find a good copyeditor? How much does copyediting cost?
People who work in publishing have their own vocabulary, including many terms related to printing, typesetting, and design. You’ll find some of these terms in the glossary at the back of CMOS. How many do you know?
Copyeditors typically work in a word-processed manuscript, making and suggesting changes directly in the document. Proofreaders come in at a later stage, after the manuscript has been converted and formatted for publication in a program like Adobe InDesign.
Before a book is printed, while the text is still in manuscript form, editors at publishing houses speak in terms of word count, not page count. An appropriate word count for a project depends on the kind of book.
This quiz focuses on the specialized terms that editors and proofreaders and other publishing pros use to communicate with each other. Because authors are also involved in the publication process, they too may need to know what these expressions mean.
To a copyeditor working on a manuscript, a space is usually just a space, and line breaks are random, fluid occurrences that vary as text is added and deleted and moved around. Designers and typesetters will take the edited text and make it pretty for publication, in part by applying different types of spaces as needed to prevent unwanted breaks.
