Chicago Style Workout 70: Verb Tenses
Verb tenses are all about establishing the time that something happened: past, present, or future. They can also specify whether an action has been completed or is ongoing.
Ellen Jovin talks about Rebel with a Clause
Ellen Jovin is a cofounder of Syntaxis, a communication skills training firm based in New York City. The author of several books for business professionals, she has a BA in German studies from Harvard and an MA in comparative literature from UCLA.
“Erg, no kidding?” Interjections in Creative Writing
Not all fictional characters are meant to be smooth-tongued and lyrical in their speech. Rather, just like us, they sometimes mumble or stumble. Giving a character flawed speech is a way to make dialogue more realistic. And this very human kind of talking often involves the use of interjections.
Exclamation Points in Creative Writing
Exclamation has always announced straightforward shouting, alarm, surprise, excitement, amazement, disbelief, exasperation, or even just helpless flustering. In the eighteenth century, readers could expect melodrama.
Is the Subjunctive Mood Right for Fiction?
Although some believe that the subjunctive mood in English is dying, many of us use it all the time, whether we know it or not. And that means the subjunctive is right for fiction, even in the mouth of a character who wouldn’t know a subjunctive from a subplot.
When to Capitalize after a Colon
I don’t like to dither over style choices. At the beginning of a sentence, it’s routine to start the next word with a capital letter. But when I type a colon within a sentence, I often have to stop and think about how to write the next word: whether to cap it isn’t always obvious.
Chicago Style Workout 59: Who, Me?
Certain pronouns change their form depending on whether they’re used as subjects or objects. These include the pronouns “who(ever)/whom(ever),” “I/me,” “she/her,” “he/him,” “they/them” and “we/us.” The ones that cause the most trouble are the first two subject/object pairs.
When Friends Find Grammar “Errors” in Your Novel
Creative writers sometimes mangle grammar on purpose or get creative with punctuation. At the drafting stage, we keep a dictionary and style manual at hand. When slips are unintended, we count on our copyeditors to catch them.
“One of Those Who”: A Singular Dilemma
Like many copyeditors, I sometimes find myself enforcing rules I don’t fully agree with. For one thing, I wouldn’t want anyone who might know the applicable rule to think I’ve made a mistake.
When to Delete “That”
A piece of bossy advice often given to creative writers is to sweep through your manuscripts before you submit them and delete certain words. “Just,” “so,” “very,” and “really” vie for the top target, but the most popular prohibition of all might be of the word “that.”
