A chapter is a chunk of a book that comes to a recognizable end, usually marked by a page break or by an extra space followed by a new numbered or titled chapter. Chapters give readers of long works a place to pause. They provide a rhythm to the experience of reading.
Almost every writer I know has a love-hate relationship with their writing program, whether it’s Microsoft Word, Google Docs, Scrivener, or a yellow legal pad. It’s clear there’s no single perfect choice for drafting, editing, and formatting your work for publication.
One of my favorite MS Word tricks allows a novelist (or any book writer) to view and organize their chapters in the Navigation pane (an option under the View tab). Using this feature, I can see all my chapter titles at a glance, and I can go instantly to the one I want by clicking on its title.
William Germano is professor of English at Cooper Union in New York. He’s also had a long career in publishing and brings some of that experience to his work as a teacher, in seminars and workshops worldwide and in the college classroom.
Jack Hart has spent five decades helping writers succeed, working shoulder-to-shoulder with journalists in newsrooms both big and small and with students at five universities. Writers who’ve worked with him have written national best sellers and won prizes that include five Pulitzers and a slew of other national awards.
Starting a novel is an exceptionally personal affair, so I’m always amazed when someone decides to tell us all the best way to do it. Nonetheless, there are some basic guiding principles a struggling writer might find helpful. If you’ve been burning to begin but can’t seem to type the first word, read on.
I often encourage creative writers to join one or more private Facebook groups where they can post questions and share resources with other writers. There are specialized groups for children’s book writers, romance writers, fantasy—you name it.
Janet Burroway is the author of plays, poems, children’s books, a memoir, and eight novels, most recently Bridge of Sand. Her book Writing Fiction (10th ed., University of Chicago Press, 2019) is the most widely used creative writing text in America. . . .
CMOS: Behind the Book is about eleven writers and their experiences in writing and publishing. There are already an awful lot of ”How I Got Published“ blog posts out there in the world. How is your book different? CJ: Let me just say, I love those kinds of posts. I think it’s really valuable to
“Writing, no matter how much we like our project or use various productivity techniques, can trigger all kinds of emotional baggage. . . . Acknowledging—rather than suppressing or talking yourself out of—whatever project-related feelings are coming up helps . . .”