Space Breaks in Fiction
A few weeks ago at my local library I came across a novel I’d been wanting to read. I didn’t have time for another book, but I took it home anyway.
A few weeks ago at my local library I came across a novel I’d been wanting to read. I didn’t have time for another book, but I took it home anyway.
This workout focuses on paragraphs 5.42–55 of CMOS 18, which cover personal pronouns, including their possessive and reflexive forms. There’s also one question about demonstrative pronouns (CMOS 5.56).
Microsoft Word does a lot of things automatically, and it does them by default. Some of these interventions are welcome. But to a copyeditor, Word’s meddling can be dangerous.
Recently I read through a book to make notes for a professional voice actor who would be reading it for an audiobook production.
One of the goals of Fiction+ has been to encourage writers and editors to leave the stylebook behind whenever it gets in the way of creative expression.
The other day, I ran across this line in a recent novel by a best-selling American writer (key words are disguised): “His disposition warmed faster than did the gradually dawning day.”
This year isn’t over just yet, but when it does finally come to an end, the current decade will end with it. In other words, we will soon be leaving the 2010s and entering the 2020s.
This workout finishes our run through the “Glossary of Problematic Words and Phrases” in paragraph 5.254 of CMOS 18. For our usage finale, we’re focusing on words beginning with the letters t as in “that” through w as in “whomever.”
When it comes to punctuation, there’s a difference between formal prose and creative writing.
The Chicago Manual of Style Q&A has been featuring answers to your questions for more than twenty years. During that time our searchable Q&A archive has grown to encompass a huge range of questions about Chicago style.