We learn from CMOS 6.23 that “a comma is not normally used to separate a two-part compound predicate joined by a coordinating conjunction.” In other words, when the subject isn’t repeated after a word like “and” or “but” in a compound sentence, a comma is usually omitted.
This month’s workout, “Word Usage, Part 9,” finishes our run through the “Glossary of Problematic Words and Phrases” in section 5.250 of CMOS 17. For our usage finale, we’re focusing on words beginning with the letters t as in “that” through w as in “whomever.”
The Chicago Manual of Style Q&A has been featuring answers to your questions for more than twenty years. During that time our searchable Q&A archive has grown to encompass a huge range of questions about Chicago style.
If you follow Chicago style, it’s a safe bet you know that a Chicago-style ellipsis consists of three spaced periods. You probably also know . . .
This month’s workout, “Word Usage, Part 8,” returns to our “Glossary of Problematic Words and Phrases” in section 5.250 of CMOS 17. This time we’re focusing on words beginning with the letters r as in “rack” through s as in “straight.”
If you cite your sources in your thesis or dissertation (or class paper) using the author-date system, you will need to include a reference list. . . .
In novels and stories and other creative works, words spoken by a character are normally set off from the narrative with quotation marks, and the speaker is identified in the run of text by tags like “she said.”
A comma is normally placed before a coordinating conjunction (and, but, or, so, yet) that joins two independent subject-verb clauses—that is, clauses that could stand on their own as complete sentences. . . .
If you cite your sources in your thesis or dissertation (or class paper) using the author-date system, you will signal each source in the text in parentheses. . . .
In editing formal prose, we fix nonstandard English without hesitation. But in editing creative works, we often need to throw out the stylebook so a narrator or character in a novel or play can abuse grammar to good effect. . . .