Ellen Jovin is a cofounder of Syntaxis, a communication skills training firm based in New York City. The author of several books for business professionals, she has a BA in German studies from Harvard and an MA in comparative literature from UCLA.
William Germano is professor of English at Cooper Union in New York. He’s also had a long career in publishing and brings some of that experience to his work as a teacher, in seminars and workshops worldwide and in the college classroom.
Jack Hart has spent five decades helping writers succeed, working shoulder-to-shoulder with journalists in newsrooms both big and small and with students at five universities. Writers who’ve worked with him have written national best sellers and won prizes that include five Pulitzers and a slew of other national awards.
Many of us would benefit from frank conversations with other scholars about improper borrowing, otherwise known as plagiarism, but the topic is so hot that most professors avoid discussing it, except in warnings to their undergraduates.
Since it was first published almost twenty years ago, The Copyeditor’s Handbook has served as both textbook and guide for copyeditors in book publishing and corporate communications. The revised fourth edition of the Handbook is now published alongside a companion, The Copyeditor’s Workbook, . . .
Janet Burroway is the author of plays, poems, children’s books, a memoir, and eight novels, most recently Bridge of Sand. Her book Writing Fiction (10th ed., University of Chicago Press, 2019) is the most widely used creative writing text in America. . . .
Michael Gross is director of legal services at the Authors Guild, Inc., a professional organization founded in 1912 to protect the interests of writers in copyright, fair contracts, and free expression.
Cheryl Klein is editorial director at Lee & Low Books and the author of The Magic Words: Writing Great Books for Children and Young Adults and the forthcoming picture book Wings.
CMOS: What’s the story behind coming up with a style guide for cybersecurity? BH: Through freelance work in many genres, I’ve learned that every niche of editing has its own universe of vocabulary.
CMOS: Behind the Book is about eleven writers and their experiences in writing and publishing. There are already an awful lot of ”How I Got Published“ blog posts out there in the world. How is your book different? CJ: Let me just say, I love those kinds of posts. I think it’s really valuable to
