Bryan A. Garner is the author of the new book The Chicago Guide to Grammar, Usage, and Punctuation as well as the author of the “Grammar and Usage” chapter of The Chicago Manual of Style. His other best-selling books include
This month’s workout, “Word Usage,” centers on section 5.220 of CMOS. Writing and editing are more efficient when you never have to look up affect or effect or dither over whether it’s OK to write inasmuch.
“Between her and me”? Test your knowledge of pronoun usage! This month’s workout, “Personal Pronouns,” centers on sections 5.38–46 of CMOS.
For years, it seems, it’s been impossible to find a language-related post or article online without a stickler making trouble in the comments section. Even on political, social, and retail sites, outraged commenters love to point out a a missplaced apostrophe as a way to challenge the
Are you ready for some heavy lifting? Today’s workout centers on sections 5.108–13 of CMOS. . . . True or false:
“Oozing slowly across the floor, Marvin watched the salad dressing.” “I smelled the oysters coming down the stairs for dinner.” Most of us don’t have to worry about overlooking gaffes as obvious as these, but more subtle danglers—or misplaced modifiers—sometimes sneak by even the most careful
This week we’re celebrating our new book, But Can I Start a Start a Sentence with “But”?, a selection of our favorite questions and answers from The Chicago Manual of Style Online’s monthly Q&A.
CMOS receives regular queries from readers asking whether greetings like “Hi, Elsa” really need that comma. Especially in e-mail messages, we hear, it looks fussy. And it takes so long to type!
For Freelance Editors: How to Set Fees. Anyone who has something to sell faces a dilemma when it comes to deciding on a price: ask too much and no one will buy; ask too little and you won’t earn enough money. In freelance editing, the second option carries an added danger: ask too little and you could be swamped with competing deadlines.
The Editor’s Toughest Challenge. In my view, the most regrettable copyediting disasters come in the form of errors introduced by the editor. Letting a writer’s original mistake survive is certainly cause for regret, but nothing’s worse than knowing that the work was correct until you messed it up!