Your author website probably has a nice banner image, and if you blog, you probably look online for eye-catching artwork to illustrate or decorate your posts or pages. Maybe your About page features a professional headshot or images from book signings or other events. When you borrow images from another creator, whether you found them…
An en dash can function either as a strong hyphen or as an ordinary dash. As a strong hyphen, it can connect numbers or words. As an ordinary dash it’s nothing special.
A great many common abbreviations behave perfectly well in any fiction or nonfiction context, including dialogue, when the general guidelines in CMOS are observed: Mr., Ms., CEO, p.m., PhD, UFO. Editors should have no quarrel with them, as long as they’re styled consistently.
Blurbs are quotations of praise that appear on book covers and jackets, in press releases, on author websites, posters, and ads, in social media, and in the unnumbered pages at the beginning of a novel or creative nonfiction book. They may be solicited or excerpted from published reviews.
Switching to italics for the occasional word or phrase borrowed from another language—and not listed in a standard English-language dictionary—can be helpful to readers.
In our Fiction+ series, we set out to help CMOS users adapt Chicago style to creative writing contexts. Sometimes, Chicago’s general guidelines already work just fine; other times, they need a little noodge to sit comfortably on a page of fiction.
Editors are never happy. First they throw a fit if you send in a manuscript without page numbers, but once you send them a paginated work, they complain when you try to discuss a sentence on page 67.
When we think about writing numbers, we tend to think of research papers, financial reports, sports columns, and other quantity-laden nonfiction settings. But novelists and playwrights and poets also puzzle over how to style numbers.
Anyone who learned to type on a QWERTY keyboard would be excused for thinking the semicolon is the most important mark of punctuation in English; why else would it be sitting right there on the home row?
What exactly is the past perfect? And what’s wrong with using it?