When it comes to punctuation, there’s a difference between formal prose and creative writing.
If you follow Chicago style, it’s a safe bet you know that a Chicago-style ellipsis consists of three spaced periods. You probably also know . . .
This month’s workout, “Word Usage, Part 8,” returns to our “Glossary of Problematic Words and Phrases” in section 5.250 of CMOS 17. This time we’re focusing on words beginning with the letters r as in “rack” through s as in “straight.”
Since it was first published almost twenty years ago, The Copyeditor’s Handbook has served as both textbook and guide for copyeditors in book publishing and corporate communications. The revised fourth edition of the Handbook is now published alongside a companion, The Copyeditor’s Workbook, . . .
There are two different kinds of apostrophes: smart and straight. To use them correctly, it helps to understand how they work. . . .
It’s time for another editing and proofreading quiz! This is the second in a series of workouts that will apply your editing knowledge and proofreading skills to Chicago style.
Okay, so you’re an editor or proofreader who knows Chicago style, but now you need to follow AP. Or you’re a student, and you need MLA for one project and Chicago (or Turabian) for the next—and APA after that. . . .
Many of us write or say “12 p.m.” (or “12:00 p.m.”) when we mean noon and “12 a.m.” when we mean midnight. This seems reasonable enough, at least intuitively. . . .
Pronouns are small but powerful words that often trip us up. This month’s Chicago style workout, “Grammar, Part 3,” centers on sections 5.27–37 of CMOS 17, which cover the definitions and uses of pronouns.
When words are left out of a quotation, an ellipsis of three dots (. . .) takes their place. When this works correctly, the reader can skip over the dots and the sentence . . .