I’ve used this space before to caution copyeditors against scrubbing voice and character out of fiction manuscripts by adhering too closely to a style manual.
Do you sometimes dither over whether to put a comma between two or more adjectives? Although the guidelines for deciding in CMOS work well for any kind of writing, there are times when creative writers prefer to ignore them.
When you write a book to send to an agent or editor, you are preparing a manuscript. And even if your ideas, characters, and plot twists are colorful and creative, your manuscript format should not be.
Starting a novel is an exceptionally personal affair, so I’m always amazed when someone decides to tell us all the best way to do it. Nonetheless, there are some basic guiding principles a struggling writer might find helpful. If you’ve been burning to begin but can’t seem to type the first word, read on.
I often encourage creative writers to join one or more private Facebook groups where they can post questions and share resources with other writers. There are specialized groups for children’s book writers, romance writers, fantasy—you name it.
Few readers will be puzzled by the capital D in the first example and the small d (and s) in the second. “Detective MacSwain” is treated like a name, a proper noun; “detective” (like “sleuth”) is a common noun. But what form would you choose in the following examples?
In manuscripts of yore (centuries ago), the text would appear in one huge unbroken block. At some point breaks in thought or theme came to be indicated in the line of text with marks of various kinds, which in late medieval times included a pilcrow (¶), essentially the same symbol your word processor hides at the end of a paragraph in your documents today.
Anyone familiar with the grammar and style rules and guidelines in CMOS knows they come with a lot of qualifiers: normally, in most cases, in running text, in regular prose, depending on the context—I could go on and on. In life, very few rules are meant to cover every situation. The same is true in CMOS.
Everyone makes mistakes, but if you goof online at your author website or in social media, the potential for ruin these days is downright scary. That doesn’t mean you should hide in fear or shame.
Your author website probably has a nice banner image, and if you blog, you probably look online for eye-catching artwork to illustrate or decorate your posts or pages. Maybe your About page features a professional headshot or images from book signings or other events. When you borrow images from another creator, whether you found them…